Shortlisted for the Costa Poetry Award and Forward Poetry Prize
People Who Like Meatballs brings together two contrasting poem sequences about rejection by ‘this brilliant lyricist of human darkness’ (Fiona Sampson). The title-sequence, People Who Like Meatballs, is about a man’s humiliation by a woman. Into my mother’s snow-encrusted lap is about a dysfunctional mother-child relationship. Like all of Selima Hill’s books, both sequences in People Who Like Meatballs chart 'extreme experience with a dazzling excess’ (Deryn Rees-Jones), with startling humour and surprising combinations of homely and outlandish.
People Who Like Meatballs was shortlisted for both the 2012 Forward Poetry Prize and the Costa Poetry Award, with the Costa judges calling it 'a wildly funny and irreverent take on modern life'.
‘Arguably the most distinctive truth teller to emerge in British poetry…Despite her thematic preoccupations, there’s nothing conscientious or worthy about Hill’s work. She is a flamboyant, exuberant writer who seems effortlessly to juggle her outrageous symbolic lexicon…using techniques of juxtaposition, interruption and symbolism to articulate narratives of the unconscious. Those narratives are the matter of universal, and universally recognisable, psychodrama…hers is a poetry of piercing emotional apprehension, lightly worn… So original that it has sometimes scared off critical scrutineers, her work must now, surely, be acknowledged as being of central importance in British poetry – not only for the courage of its subject matter but also for the lucid compression of its poetics’ – Fiona Sampson, Guardian
‘Hill, more than any other English poet, cranks out angry, impotent, abused and richly surreal Britain. And she is very very funny…fresh, fierce and convincing… A mood-swinging voice, talking to itself rather than to the reader, shows how pain and joy transform the material world’ – Claire Crowther, Poetry London.
‘Her adoption of surrealist techniques of shock, bizarre, juxtaposition and defamiliarisation work to subvert conventional notions of self and the feminine… Hill returns repeatedly to fragmented narratives, charting extreme experience with a dazzling excess’ – Deryn Rees-Jones, Modern Women Poets
Selima Hill reads 'Cow'
Selima Hill reads a poem from Gloria: Selected Poems. This film is from the DVD-book In Person: 30 Poets filmed by Pamela Robertson-Pearce, edited by Neil Astley, which includes seven poems from Gloria read by Selima Hill.