Neil Astley is editor of Bloodaxe Books, which he founded in 1978. His books include novels, poetry collections and anthologies, most notably the Bloodaxe Staying Alive trilogy: Staying Alive (2002), Being Alive (2004) and Being Human (2011), which were followed by Essential Poems from the Staying Alive Trilogy (2012).
His other anthologies (all these from Bloodaxe) are Pleased to See Me: 69 very sexy poems (2002), Do Not Go Gentle: poems for funerals (2003), Passionfood: 100 Love Poems (2005/2014), Soul Food: nourishing poems for starved minds [with Pamela Robertson-Pearce] (2007), Earth Shattering: ecopoems (2007), the DVD-book In Person: 30 Poets (2008) [filmed by Pamela Robertson-Pearce], The World Record: international voices from Southbank Centre's Poetry Parnassus (with Anna Selby, 2012), The Hundred Years' War: modern war poems (2014), Funny Ha-Ha, Funny Peculiar: a book of strange & comic poems (2015), the DVD-book In Person: World Poets (2017) [filmed with Pamela Robertson-Pearce], and Land of Three Rivers: the poetry of North-East England (2017).
He has published two novels, The End of My Tether (Flambard, 2002; Scribner, 2003), which was shortlisted for the Whitbread First Novel Award, and The Sheep Who Changed the World (Flambard, 2005). In 2012 Candlestick Press published his selection of Ten Poems About Sheep in its renowned pamphlet series.
He received an Eric Gregory Award for his poetry, was given a D.Litt from Newcastle University for his work with Bloodaxe Books., and in 2018 was made an Honorary Fellow of the Royal Society of Lilterature. He lives in Northumberland.
Astley gave a controversial lecture on the state of British poetry – with far-reaching consequences – at StAnza, Scotland's poetry festival, in St Andrews in March 2005. He serves on the board of Ledbury Poetry Festival as a trustee. He was formerly an organiser of Newcastle Literary Festival, and as a director for three years of the Poetry Book Society he was responsible for the addition of poetry in translation to the book club's remit; he was also a member of the development committee of Cúirt International Literature Festival in Galway, Ireland. Most recently, he guest-edited the Spring 2015 issue of the American literary journal Ploughshares, the first all-poetry issue in its 44-year history.
