Ken Smith (1938-2003) was a major voice in world poetry, his work and example inspiring a whole generation of younger British poets. His politically edgy, cuttingly colloquial, muscular poetry poetry shifted territory with time, from rural Yorkshire, America and London to the war-ravaged Balkans and Eastern Europe (before and after Communism). His early books span a transition from a preoccupation with land and myth to his later engagement with urban Britain and the politics of radical disaffection. The pivotal work marking this shift was his long poem
Fox Running (1980), brought to recent attention when an archive recording of him reading it was broadcast by BBC Radio 4’s Poetry Please in 2016.
Collected Poems brings together poetry from four decades, including all the work from two earlier retrospectives, The Poet Reclining: Selected Poems 1962-1980 (1982) and Shed: Poems 1980-2001 (2002), and from from the posthumously published You Again: last poems & other words (2004), as well as additional poems from two early collections, The Pity (1967) and Work, distances / poems (1972). The book is introduced with essays by Roger Garfitt and Jon Glover. Publication coincides with what would have been his 80th birthday and with the 40th anniversary of the publication of Bloodaxe’s first title, Ken Smith’s Tristan Crazy (1978).
‘This is an enormous book and a review can only really scratch the surface of all the riches in it. By the last poems, he’d moved through his own upbringing in rural Yorkshire and urban Leeds, through the American wilderness, Thatcher’s Britain, the various conflicts of the Balkans and eastern Europe and had reached the time of Bin Laden and the wars in the Middle East, in poems that are intense, luminous, at times dream-like, at times startlingly clear… I can’t praise this collection highly enough.’ – Steven Waling,
Write Out Loud [on Ken Smith’s Collected Poems]
‘Ken Smith was a great poet… His last retrospective collection,
Shed, confirmed the immense power of his poetry.’ – Jon Glover, Guardian
'Smith's writing exists in permanent disagreement with English fashion. A huge cast of overheard characters, wanderers, losers and remembrancers passes through his writing, bound by a common sense of loss and endurance.' – Sean O'Brien,
‘His poems are squeezed out from under the unrelenting pressures of history, politics and the natural elements… some of his poems read like translations from war-ravaged Eastern Europe.’ – Charles Boyle,
'Ken Smith brought an original and memorable voice to poetry in Britain. He spent his writing life not so much swimming against the tide as ignoring the stream’s existence… He was one of those by whom the language lives.’ – Sean O’Brien,
Ken Smith in Berlin: five poems
Ken Smith was working in Berlin when the Wall came down, writing a book about East and West Berlin: this turned into Berlin: Coming in from the Cold (1990). He also took part in a series of readings and workshops in Berlin in 1989 and 1990 based mainly at the Free University of Berlin and organised John Hartley Williams for the British Council in partnership with Bloodaxe Books. This video shows excerpts from his conversations with John Hartley Williams and includes his readings of five poems: ‘The pity’, ‘Being the third song of Urias’, ‘My father fading out’, ‘Hawkwood’ (two sections) and ‘Katya’s message’.
Ken Smith reads 'Three docklands fragments'
This extract from Ivor Bowen's film of Ken Smith shows him reading
Three docklands fragments from Shed (Bloodaxe Books, 2002). Ivor Bowen's film is a "bonus track" included in the DVD-book In Person: 30 Poets.
Ken Smith: 'Eli's poem'
Ken Smith reads his poem 'Eli's poem' in settings on the North-East coast (at Tynemouth and Cullercoats). This poem is from
The Poet Reclining (Bloodaxe Books, 1982). Made in 1991, the film is from the Wordworks series of short poem films made by Tyne Tees Television with Bloodaxe Books, first shown in May-June 1992, produced by Mark Lavender and directed by Rob Cowley.