‘Kim Hyesoon writes flowingly and choreographically a panorama of hovering hatelove for the birthing body, for cruelty and existence and for the expansive thinking and dizzyingly borderless universe-geography. Kim Hyesoon writes hatelove as a stone-hard feminist life-and-death dance. As garbage, love and death accumulate in her poems, your world will be changed for real!’ – Aase Berg.
'Miraculous weaponry! Miraculous translations! This kind of undomesticated engagement and lawlessness and risk and defiance and somatic exorbitance posits a world and a relation to the world where everything excluded is included – the animal and the vegetal, the molten and the mineral, the gaseous and the liquid, not to mention shame, disgust, failure, terror, raunch. The final poem "Manhole Humanity" deserves its place alongside Césaire's Notebook of a Return to the Native Land or Ginsberg's Howl or Inger Christensen's It. Kim Hyesoon's new book is armament and salve, shield and medicinal chant. It's here to protect us’ – Christian Hawkey.
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