Moniza Alvi left Pakistan for England when a few months old. In her early work, she drew on real and imagined homelands in poems which are 'vivid, witty and imbued with unexpected and delicious glimpses of the surreal - this poet's third country' (Maura Dooley). Her less autobiographical later books are concerned not only with divisions between East and West but also with the interplay between inner and outer worlds, imagination and reality, physical and spiritual. Split World includes poems from five previous collections: The Country at My Shoulder (1993), A Bowl of Warm Air (1996), Carrying My Wife (2000), Souls (2002) and How the Stone Found Its Voice (2005), but excludes the poems of Europa (2008) and At the Time of Partition (2013).
'Alvi is a bold surrealist, whose poems open the world up in new, imaginatively absurd ways' - Ruth Padel, Independent.
'Much of Alvi's work engages with a surreal or fantastical world of fractured and partially recovered identity, working through sequences in her most recent poetry' - Deryn Rees-Jones, Modern Women Poets.
'Moniza Alvi's world is a place of wild energy...Alvi's voice has achieved a relaxed naturalness, a fluidity which allows her to present these delicious, extraordinary poems as though it were easy' - Kathleen Jamie & Hugo Williams, PBS Bulletin.
'She is a skilled storyteller, recounting the extraordinary in the voice of the everyday, so that we accept the miraculous as something we need...the overriding impression is of a deft, restrained language carrying ideas with metaphysical wit and seriousness' - Leonie Rushforth, London Magazine.
'One of the few British poets whose work could currently be described as essential reading, not least as we try to grasp what fractures of cultural difference might have contributed to the 7 July bombings.' - Tim Robertson, Magma.
Moniza Alvi reads six poems
Moniza Alvi reads six poems selected from her Bloodaxe retrospective Split World: Poems 1990-2005 (2008) and her later collection Europa (2008) whose cover picture is a painting by American artist Tabitha Vevers, ‘When We Talk About Rape’ (1992), the inspiration for the poem ‘Mermaid’, which she reads last in this ﬁlm. The title-sequence of her 2005 collection How the Stone Found Its Voice is a series of poems inspired by creation myths. Begun in the wake of the tragedy of 9/11, they are imbued with the dark spirit of that time, with titles including ‘How a Long Way Off Rolled Itself Up’ and ‘How the World Split in Two’, the poem she reads first in the ﬁlm. The poems she reads are: ‘How the World Split in Two’, ‘I Would Like to be a Dot in a Painting by Miró’, ‘I Was Raised in a Glove Compartment’, ‘The Sari’, ‘Presents from My Aunts in Pakistan’ and ‘Mermaid’.
Neil Astley filmed her reading and discussing a selection of her poems at her home in Wymondham, Norfolk, in November 2013. This ﬁlm is one of 60 videos included in the DVD-anthology In Person: World Poets, filmed and edited by Pamela Robertson-Pearce and Neil Astley (Bloodaxe Books, 2017).