Jane Hirshfield's Ledger reviews, interviews & poem features

Jane Hirshfield's Ledger reviews, interviews & poem features


'The most important measure of anything is its meaning... Hirshfield perfectly captures our individual sense of lostness, faced with undeniable catastrophe, while invoking our collective responsibility.' -  Fiona Sampson, The Guardian


American poet Jane Hirshfield’s ninth collection Ledger was published by Bloodaxe Books in March 2020.  It is a book of personal, ecological and political reckoning. Her poems inscribe a ledger personal and communal, a registry of our time's and lives’ dilemmas as well as a call to action on climate change, social justice and the plight of refugees. Ledger is published in the UK and Europe by Bloodaxe, and by Knopf in the US.

Jane Hirshfield has been published in the UK by Bloodaxe Books since 2005.  Her retrospective Each Happiness Ringed by Lions was followed by four later collections, most recently Ledger (2020). A new retrospective, The Asking: New & Selected Poems, was published by Knopf in the US in 2023 and by Bloodaxe in the UK in 2024, where it is a Poetry Book Society Recommendation.


Beshara Magazine, Issue 20: Winter 2021/22, online 17 February 2022

Jane Hirshfield was interviewed in depth for Beshara Magazine. She was talking about her latest work and the role of poetry in these difficult times. Three poems from her ninth collection Ledger were featured in full: ‘My Debt’, ‘Ghazal for The End of Time’ and ‘Amor Fati’.

Read here.



On Being podcast, 16 December 2021

Jane Hirshfield was interviewed in great depth for the US podcast On Being. She was in conversation with On Being founder Krista Tippett.   Jane Hirshfield’s poetry is published in the UK by Bloodaxe Books and by Knopf in the US.  Her ninth collection  Ledger was published on 10 March 2020, just before everything came to a halt in response to the global pandemic. As Krista notes, many of the poems in the collection seem extraordinarily prescient. 

Jane read and spoke about her poems ‘The Bowl’, ‘Some Questions’ and ‘Cataclysm’ from  Ledger.  Krista read the first poem ‘Let Them Not Say’ near the beginning of the podcast, and then Jane read it again at end of the interview.  Jane also read 'My Species' from The Beauty (2015).

Jane Hirshfield: The Fullness of Things

'The esteemed writer Jane Hirshfield has been a Zen monk and a visiting artist among neuroscientists. She has said this: “It’s my nature to question, to look at the opposite side. I believe that the best writing also does this … It tells us that where there is sorrow, there will be joy; where there is joy, there will be sorrow … The acknowledgement of the fully complex scope of being is why good art thrills … Acknowledging the fullness of things,” she insists, “is our human task.” And that’s the ground Krista meanders with Jane Hirshfield in this conversation: the fullness of things — through the interplay of Zen and science, poetry and ecology — in her life and writing.'

Listen here.  A full transcript is also available via this link.


Ignota Books of the Year: Part II, blog online 2 December 2021

Jane Hirshfield’s ninth collection Ledger, published in 2020, was chosen for this online Books of the Year 2021 blog from the independent UK bookshop Ignota.

‘Hirshfield's poems are light, gestural, many have a quality of a bird riding the wind… The poems in this collection concern themselves with a variety of topics including climate change, social justice, the plight of refugees etc. But, more importantly than the subjects of the poems themselves, the book's central thread asks us to reconsider our relationship to the wild, the world, to other people, and how we think about ourselves.’ - Jay Springett, Ignota Books of the Year

Read in full here.



'My Debt' from Ledger is featured as Poem of the Week in the TLS of 10 September 2021.  Read in full here.  The poem was first published in the TLS in 2019.

'Although she has been writing poems that speak of the environment “for decades”, the subject has a new urgency and centrality here: as Hirshfield says, “the time for swerve feels shorter”. From the collection’s opening lines of despair and defiance (“Let them not say: we did not see it. / We saw it”) to its ominous closing reference to the “flammable colors” of the natural world, this is, in the words of the New York Times, an “ecological and political reckoning … some of the most important poetry in the world today”. - Times Literary Supplement


The Guardian, Poem of the Week, online Monday 19 October 2020

American poet Jane Hirshfield’s ‘It Was as if a Ladder’ from her ninth collection Ledger was discussed by Carol Rumens in her online Poem of the Week column on The Guardian website.  Her piece ends with the comment: ‘The Tower of Babel is not more relevant to our times than Hirshfield’s terrifying and yet tenuously beautiful “ladder in air”.’

‘Hirshfield’s writing is always sensuous and focused: at the same time, her Zen-influenced deep absorption in things seen and sensed is often unsettled by a further, philosophical line of inquiry. This leads to new insights, but not necessarily an easy resolution.’ – Carol Rumens, Poem of the Week, The Guardian

Read the feature here.


Bookanista, Poem feature, online 26 March 2020
Bookanista featured two poems from Jane Hirshfield’s ninth collection Ledger to mark publication day. The poems featured were ‘Day Beginning with Seeing the International Space Station and a Full Moon over the Gulf of Mexico and All Its Invisible Fishes’ and ‘(No Wind, No Rain)’.

‘Jane Hirshfield’s new poetry collection is a personal, ecological and political reckoning, a registry of contemporary dilemmas and an urgent call to action on climate change, social justice and the plight of refugees. The poems record both abiding and squandered riches and mourn our many failures, summoning our common responsibility to sustain one another and the world.’ – Bookanista, introducing Jane Hirshfield’s Ledger

Read the feature on Bookanista's website here.


Ledger was reviewed alongside Carolyn Forche's In the Lateness of the World in The Guardian's best recent poetry feature of 4 April 2020.  Fiona Sampson’s original opening, sadly cut by The Guardian, read:

‘Poetry’s claim has always been that it can encompass both terror and joy, accompanying us even through the worst of times. So it’s a consolation to find the verse being published right now does measure up to the times we find ourselves in.’  Read the full review here

'Ledger is a book of harvesting of inner and outer experience, and at an extraordinarily barren time in human history, its fruits are a perfect, stunning and much needed blend of bitter and sweet.' - Rosie Jackson in The High Window.  Read the full review here.

‘Reviewing in this pandemic and lockdown, it is impossible not to read Jane Hirshfield’s extraordinary new collection as eerily prescient and a particularly relevant gift to these times… Ledger is an essential collection for our times, and beyond.’ – Beth McDonough, DURA (Dundee University Review of the Arts)  Read the full review here.

'Intelligent, complex and full of clarity, Jane Hirshfield's latest collection Ledger is a call to one's sense of justice and moral responsibility in the world we live in: a personal, ecological and social reckoning.  One of the remarkable strengths of this book is to call into question our world-views, the way we measure or weigh our dilemmas.' - Jennifer Wong, PN Review (in print only)

'Hirshfield has an extraordinary talent for both opening a poem out and yet pinning down; allowing the imagination both to reach out and to settle.' - Ian Pople, The Manchester Review

Read Ian Pople's full review of Ledger here.



Bloodaxe's Editor Neil Astley hosted this international live streamed reading by Jane Clarke, Jane Hirshfield and Arundhathi Subramaniam on 15 December 2020.  They were celebrating the publication of their new or recent poetry collections, and joined Neil in Northumberland from their homes in Co Wicklow, California and Bombay. They each gave two sets of readings, followed by a discussion that revealed many connections between these three outstanding poets.
This extraordinary reading and discussion is now on YouTube.



Terrifying Verse, BBC Radio 4, Sunday 25 October 2020, 4.30pm (repeated Saturday 31 October 2020, 11.30pm)

American poet Jane Hirshfield was interviewed for this BBC Radio 4 feature on poetry and terror presented by Caroline Bird. Caroline also spoke to poets Roger Robinson and Rachel Long.

Jane read her truly terrifying poem ‘Calmness’ from her 2005 retrospective Each Happiness Ringed by Lions, and the last line of a poem from her ninth collection Ledger: ‘Ghazal for the End of Time (after Messiaen)’, which she describes as the most frightening line she has ever written. She spoke to Caroline about the need for poems to contain beauty as well as darkness. The line quoted at the top of the programme: ‘The poem carries love and terror, or it carries nothing’ is from her poem ‘Like an Ant Carrying Her Bits of Leaf or Sand’ from Each Happiness Ringed by Lions.

'‘'The poem carries love and terror, or it carries nothing.' That line is from a poem by the American poet Jane Hirshfield, and it's been a kind of guiding principle for me as a poet. What I love about Jane’s poems is they always make me suddenly remember the strangeness of being alive, often in quite a shocking way.  The images are so playful and chewy and enjoyable, and yet the stakes are always life and death… For Jane Hirshfield, the greatest terror is in the increasing awareness of what we are doing to the planet, and what we might continue to do in the future. It’s a reality she reckons with in her latest collection Ledger.’ – Caroline Bird, BBC Radio 4, Terrifying Verse

‘Caroline Bird celebrates the under-represented dark side of poetry, asking the poems that confront terror to step out of the shadows and into the light. One of Caroline's poetic heroes, the poet Jane Hirshfield said ‘the poem carries love or terror or it carries nothing’. Whilst poetry about love is hardly news, the poetry of terror has been under-discussed and under-valued. In this programme argues that terrifying verse is just as important and resonant. Caroline speaks to Jane Hirshfield about how love and terror balance each other out, the fear involved in the act of writing itself, and what use poetry is in face of the very real horror of the climate crisis.’

No longer available online, but programme details here: https://www.bbc.co.uk/programmes/m000ntsh



An interview with Jane Hirshifeld ran in The Boston Globe of 13 October 2020. 

'Poet Jane Hirshfield on bearing witness to the beauty of an imperiled world'.  Read here.


American Poetry Review featured the email conversation between Jane Hirshfiled and Kaveh Akbar. They have been corresponding by email since 2016.  This extract from their correspondence was featured in APR to coincide with publication of the US edition of Ledger.

Ledger carries that title because it’s a book of stocktaking, trying to take account of and recount what feels an unaccountable time. Here we all are, trying to comprehend a precipitously incomprehensible era. These poems navigate my responses and responsibilities, as poet, as person, to that era.’ – Jane Hirshfield

Read this fascinating conversation via APR's website here.

Jane Hirshfield’s poem ‘Falcon’ from Ledger was featured in the American magazine Spirituality & Health, including a link to audio of Jane reading the poem.


Jane read her poem 'Today, Another Universe' on the Brainpickings website, described by Maria Popova as 'one of the most beautiful and perspectival poems from this miraculous book — a poem of consolation by way of calibration'.  You can read and listen to the poem here.

[15 April 2020]

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