Roshni Gallagher's Even the Trees: Books from Scotland poem feature
In her first full-length collection Even the Trees, Roshni Gallagher asks what can be seen, named or remembered. From Scotland to Guyana, the poems explore the porous boundary between the past and the present, and how ecological landscapes and landscapes of the mind and body are permanently altered by migration and memory.
The elegiac series of poems Kala Pani reflects on the history and legacy of Indian indentured labourers in the Caribbean. Following the experience of women in the moment of rupture as they cross the ocean, these poems hover at the border of what is known and unknown. Other poems navigate stories from Gallagher’s mixed heritage, from the Windrush generation to the sod houses in Ireland. She explores the tension between historical and personal silence – what can and can’t be spoken about.
Even the Trees was a joint winner of the James Berry Poetry Prize 2024, and is on the shortlist for the Jerwood Prize for Best First Collection 2026, one of the Forward Prizes. It will be published by Bloodaxe Books on 17 September 2026.
Roshni Gallagher is a poet from Leeds of mixed Indo-Guyanese and Irish heritage. She lives in Edinburgh. She has received an Edwin Morgan Poetry Award (2022) and a Scottish Book Trust New Writers Award (2022), and was joint winner of the James Berry Poetry Prize in 2024. Her pamphlet Bird Cherry was published by VERVE Poetry Press in 2023. Her first book-length collection, Even the Trees, is published by Bloodaxe Books in September 2026, and is on the shortlist for the Jerwood Prize for Best First Collection 2026 (Forward Prizes). She has an MFA in Creative Writing Poetry from the University of St Andrews.
BOOKS FROM SCOTLAND POEM FEATURE FOR ROSHNI GALLAGHER
Books from Scotland, poem feature online 30 July 2026
Three poems from Roshni Gallagher’s debut collection Even the Trees are featured online at Books from Scotland ahead of the book’s publication by Bloodaxe on 17 September 2026.
The poems included are ‘Threshold’, ‘Bird Cherry’ and ‘Cullykhan Bay’. The feature links to a page giving full details about Even the Trees.
https://booksfromscotland.com/2026/07/even-the-trees-by-roshni-gallagher/
Roshni Gallagher reads
A multi-artform collaboration between poet Roshni Gallagher, musician Diljeet Bhachu, photographer Kate Soltan and projection artist Robert Motyka brings a unique experience of spoken word accompanied by live flute music to the backdrop of nature imagery. Roshni’s six poems are a tender exploration of how we grieve lost language and histories – and how identity can still be sought after and reclaimed. The piece journeys from a place of disconnection and isolation to one of belonging and community. A soundscape of semi-improvised live flute accompaniment by Diljeet Bhachu complements Roshni’s readings. Filmed as part of the Edinburgh Multicultural Festival, 15 Dec 2020.
Two of the poems are now included in Roshni Gallagher's debut poetry collection Even the Trees: 'The Whitby' (1:44) and 'Bird Cherry' (7.26).
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Praise for Even the Trees
‘What impresses me most about this debut collection is its honouring of our humanity, the naming of ordinary people with extraordinary lives. The Kala Pani sequence epitomises this: poignant, exquisite and haunting. Roshni Gallagher’s poems are so visceral, so perceptive, so adept in their use of echoes and white space, they will, to quote her, make you “vigilant when you walk down a street”.' – Patience Agbabi
‘These poems have a special light to them. They feel vulnerable and hard-won, like the best poems. They seem to want to sit down close with the reader and whisper these sad, honest and wonderful things that they know.’ – Niall Campbell
‘Intelligent, searching, and beautifully written, Roshni Gallagher's Even the Trees is an exceptional debut collection, full of enviable phrasing and insight. It's wonderful to find a new poet whose work you know you will continue to follow.’ – Karen Solie
‘These poems are delicately calibrated: they are able to pick out how the stars are not above us, but all around, how the Perseids fall like a shoal of metallic fish; but also carry the awareness of how there is pain in "seeing and being seen", and that some knowledge "can’t be come back from". Here, currents of racism and colonialism persist alongside and threaten to overwhelm the wonder of the unknown, the experience of the natural world made new. A complex, assured, at times stunning debut collection.’ – Peter Mackay
[30 July 2026]
