2018 Kingsley Tufts Poetry Award
2018 NAACP Image Award
Finalist 2018 Pulitzer Prize
Finalist Los Angeles Times Book Prize
Incendiary Art confronts the tyranny against the black male body and the tenacious grief of the mothers of murdered African American men. Dynamic sequences, including a compelling chronicle of the devastating murder of Emmett Till, serve as a backdrop for present-day racial calamities and calls for resistance. With impassioned eloquence and a sharpened focus on incidents of national mayhem and mourning, Patricia Smith reinvents the role of witness with an incendiary fusion of forms, including prose poems, ghazals, sestinas, and sonnets. This phenomenal, visionary book addresses what is frightening, and what is revelatory, about history now.
'Patricia Smith doesn’t mince her words. She is writing about race in America; the black male body, and the violence perpetrated against it, is one of the prominent themes of her latest collection, Incendiary Art, which has won numerous awards already in the States, and is being published here in by Bloodaxe in the spring. She is a very urgent voice we need to hear right now..' - Emily Cullen, Cuirt Festival Director, Galway Adverstiser
'I saw Patricia Smith read in 1998 and I've been showing her poetry to students for the thick end of twenty years. A pre-order of her Incendiary Art would be a good Christmas present for anyone, including me.' - Tim Turnbull, Poetry News (Christmas Books 2018)
‘Incendiary Art is the fire this time. An epic in five movements where history becomes tragedy, becomes farce, becomes fable. Where the reader becomes complicit, where outcomes burn into forgotten memories, and where nobody gets off the hook.’ – Marlon James
‘As with Smith’s previous books, one encounters an urgent voice on the page that is exuberant, sharp, and questing in its search for understanding of the fatalities that besiege black life in America. The imaginative qualities of these poems and others are what make them captivating. She is a poet of immense originality, and these poems are a testament to her powers.’ – Major Jackson
‘Patricia Smith is a masterful poet, performer, and pundit. And while her chosen field is the form and grace of language, her gift to the world that orbits the Black experience is truth.’ – Walter Mosley
‘Patricia is one of the poets writing today that I most deeply admire. Her work is always timely, powerful, necessary, and at turns heartbreaking.’ – Natasha Trethewey
‘Smith exhibits razor-sharp linguistic sensibilities that give her scenes a cinematic flair and her lines a momentum that buoys their emotional weight. Smith’s urgent collection lives up to its title, burning bright and urgent as a bonfire.’ – Publishers Weekly
Patricia Smith: Incendiary Art
Patricia Smith reads nine poems from Incendiary Art: ‘Incendiary Art’, ‘No Wound of Exit’, an extract from ‘Sagas of the Accidental Saint’ (‘That’s my son collapsed there…’), ‘Incendiary Art: Ferguson’, ’That Chile Emmett in That Casket’, ’The Mother Dares Make Love Again, After’, ’And He Stays Dead’, ’Incendiary Art: The Body’, and ‘Runaway’. Neil Astley filmed Patricia Smith reading from Incendiary Art in Ireland in April 2019 when she was in Galway for Cúirt International Festival of Literature.
Patricia Smith: That Chile Emmett in That Casket
Patricia Smith reads ’That Chile Emmett in That Casket’ from Incendiary Art.
Patricia Smith: Sagas of the Accidental Saint
Patricia Smith reads an extract from ’Sagas of the Accidental Saint’ from Incendiary Art.
Patricia Smith: Map Rappin’
Patricia Smith reads ‘Map Rappin’’ (for John Coltrane, and forever for Bruce) from Teahouse of the Almighty (Coffee House Press, Minneapolis, 2006). Neil Astley filmed her reading a selection of poems in Ireland in April 2019 when she was in Galway for Cúirt International Festival of Literature. All the other poems she read are from Incendiary Art: https://vimeo.com/330767418
North America: TriQuarterly Books (Northwestern University Press)